| Digitally Mediated Iconoclasm: the Islamic State and the war on cultural heritage JA González Zarandona, C Albarrán-Torres, B Isakhan International Journal of Heritage Studies 24 (6), 649-671, 2018 | 59 | 2018 |
| Mobile social gambling: Poker’s next frontier C Albarrán Torres, G Goggin Mobile Media & Communication 2 (1), 94-109, 2014 | 58 | 2014 |
| Digital gambling: Theorizing gamble-play media C Albarrán-Torres Routledge, 2018 | 32 | 2018 |
| Social media managers as intermediaries: negotiating the personal and professional in organisational communication D Bossio, A McCosker, E Milne, D Golding, C Albarrán-Torres Communication Research and Practice 6 (2), 95-110, 2020 | 22 | 2020 |
| Political and mobile media landscapes in Mexico: the case of# yosoy132 G Goggin, CA Torres Continuum 28 (1), 28-42, 2014 | 16 | 2014 |
| Mobile betting apps: Odds on the social C Albarrán-Torres, G Goggin Smartphone cultures, 25-38, 2017 | 12 | 2017 |
| GAMBLING-MACHINES AND THE AUTOMATION OF DESIRE. CA Torres PLATFORM: Journal of Media & Communication 5 (1), 2013 | 11 | 2013 |
| Global trafficking networks on film and television: Hollywood’s cartel wars C Albarrán-Torres Routledge, 2021 | 10 | 2021 |
| Kittens, farms, and wild pandas: The impact of cuteness in adult gamble-play media C Albarrán-Torres The aesthetics and affects of cuteness, 245-262, 2016 | 9 | 2016 |
| Creed: legacy franchising, race and masculinity in contemporary boxing films CA Albarrán-Torres, D Golding Continuum 33 (3), 310-323, 2019 | 8 | 2019 |
| Social casino apps and digital media practices: New paradigms of consumption C Albarrán-Torres Social, Casual and Mobile Games: The Changing Gaming Landscape. London …, 2016 | 7 | 2016 |
| » Spectacles of Death: Body Horror, Affect and Visual Culture in the Mexican Narco Wars.« C Albarrán-Torres Senses of Cinema 84, 2017 | 5 | 2017 |
| Encoding chance: a technocultural analysis of digital gambling CA Albarrán-Torres University of Sydney, 2014 | 5 | 2014 |
| Poker avatars: affective investment and everyday gambling platforms C Albarran-Torres, T Apperley Media International Australia 172 (1), 103-113, 2019 | 4 | 2019 |
| A tap on the shoulder: The disciplinary techniques and logics of Anti-Pokie Apps J Humphry, CA Torres M/C Journal 18 (2), 2015 | 4 | 2015 |
| The emergence of autolography: the ‘magical’invocation of images from text through AI C Chesher, C Albarrán-Torres Media International Australia 189 (1), 57-73, 2023 | 3 | 2023 |
| Cartels, memes, and digital platforms: the digital myths of ‘El Chapo’Guzmán C Albarran-Torres, G Goggin Information, Communication & Society 26 (7), 1418-1437, 2023 | 3 | 2023 |
| Addressing the accountability gap: gambling advertising and social media platform responsibilities C Parker, C Albarrán-Torres, C Briggs, J Burgess, N Carah, M Andrejevic, ... Addiction Research & Theory, 1-7, 2023 | 2 | 2023 |
| “Almost the Same but not Quite”: The Camouflage of Play in Gambling Iconography F Nicoll, C Albarrán-Torres Critical Gambling Studies 3 (2), 160-173, 2022 | 2 | 2022 |
| Why glamorising narco culture, on screen and in Sydney’s pop-up shop, is wrong CA Torres The Conversation, 2017 | 2 | 2017 |
Gerard GogginProfessor of Media and Communicationssydney.edu.au üzerinde doğrulanmış e-posta adresine sahip
