| From Michael Moore to JFK Reloaded: Towards a working model of interactive documentary D Galloway, KB McAlpine, P Harris Journal of Media Practice 8 (3), 325-339, 2007 | 162 | 2007 |
| Making music with algorithms: A case-study system K McAlpine, E Miranda, S Hoggar Computer Music Journal 23 (2), 19-30, 1999 | 136 | 1999 |
| Bits and pieces: A history of chiptunes KB McAlpine Oxford University Press, USA, 2018 | 40 | 2018 |
| Approaches to creating real-time adaptive music in interactive entertainment: A musical perspective KB McAlpine, M Bett, J Scanlan Audio Engineering Society Conference: 35th International Conference: Audio …, 2009 | 17 | 2009 |
| The Cambridge companion to video game music M Fritsch, T Summers Cambridge University Press, 2021 | 15 | 2021 |
| Shake and create: Reappropriating video game technologies for the enactive learning of music KB McAlpine Serious Games and Edutainment Applications: Volume II, 77-97, 2017 | 12 | 2017 |
| Creating historic spaces in virtual reality using off-the-shelf audio plugins R Selfridge, J Cook, K McAlpine, M Newton Audio Engineering Society Conference: 2019 AES International Conference on …, 2019 | 9 | 2019 |
| A Perspective on the Adoption of Ambisonics for Games AJ Horsburgh, KB McAlpine, DF Clark Audio Engineering Society Conference: 41st International Conference: Audio …, 2011 | 9 | 2011 |
| The sound of 1-bit: Technical constraint and musical creativity on the 48k Sinclair ZX Spectrum KB McAlpine GAME: The Italian Journal of Game Studies 1 (6), 2017 | 7 | 2017 |
| BitBox!: A case study interface for teaching real-time adaptive music composition for video games K McAlpine Journal of Music, Technology & Education 9 (2), 191-208, 2016 | 6 | 2016 |
| All Aboard the Impulse Train: A Retrospective Analysis of the Two-Channel Title Music Routine in Manic Miner KB McAlpine The Computer Games Journal 4, 155-168, 2015 | 5 | 2015 |
| Hearing historic Scotland: Reflections on recording in virtually reconstructed acoustics J Cook, A Kirkman, K McAlpine, R Selfridge Journal of the Alamire Foundation 15 (1), 109-126, 2023 | 4 | 2023 |
| Burnishing the lamp of memory: documentation and preservation in the digital age W Payne, KB McAlpine New Review of Information Networking 12 (1-2), 77-80, 2006 | 4 | 2006 |
| Dynamical systems and applications to music composition: a research report K McAlpine, ER Miranda, SG Hoggar Journées d'Informatique Musicale, 1997 | 4 | 1997 |
| ETUDIANTS SANS FRONTIERES: FACILITATING ONLINE INTERNATIONAL CULTURAL EXCHANGE THROUGH MUSIC TECHNOLOGY KB McAlpine International Journal on Innovations in Online Education 4 (3), 2020 | 3 | 2020 |
| Applications of Dynamical Systems to Music Composition KB McAlpine PQDT-Global, 1999 | 3 | 1999 |
| MusicWorks: Supporting Students' Musical Career Paths Through Technology-Enhanced Authentic Learning C Johnson, KB McAlpine, B Merrick Handbook of Research on Innovative Digital Practices to Engage Learners, 315-333, 2019 | 2 | 2019 |
| Sampling the past: A tactile approach to interactive musical instrument exhibits in the heritage sector K McAlpine KES Transactions on Innovation in Music 1 (1), 110, 2013 | 2 | 2013 |
| Hearing history: a virtual perspective on music performance KB McAlpine, J Cook, R Selfridge 3D Audio, 207-227, 2021 | 1 | 2021 |
| Press Play on Tape: 8-Bit Composition on the Commodore 64 K McAlpine Innovation in Music, 37-51, 2019 | 1 | 2019 |
Rod SelfridgeLecturer in Interactive Audio, Edinburgh Napier UniveristyVerified email at napier.ac.uk
