| Whole body interaction in abstract domains S Holland, K Wilkie, A Bouwer, M Dalgleish, P Mulholland Whole body interaction, 19-34, 2011 | 31 | 2011 |
| The Haptic Bracelets: learning multi-limb rhythm skills from haptic stimuli while reading A Bouwer, S Holland, M Dalgleish Music and human-computer interaction, 101-122, 2013 | 25 | 2013 |
| Song walker harmony space: embodied interaction design for complex musical skills A Bouwer, S Holland, M Dalgleish Music and human-computer interaction, 207-221, 2013 | 12 | 2013 |
| Postrum: developing good posture in trumpet players through directional haptic feedback M Dalgleish, S Spencer Society for Interdisciplinary Musicology (SIM), 2014 | 7 | 2014 |
| Technology inspired design for pervasive healthcare J van der Linden, Y Rogers, C Taylor, M Dalgleish 2011 5th International Conference on Pervasive Computing Technologies for …, 2011 | 7 | 2011 |
| Reconsidering process: bringing thoughtfulness to the design of digital musical instruments for disabled users M Dalgleish International Conference on Live Interfaces (ICLI), 2014 | 5 | 2014 |
| “There are no universal interfaces: how asymmetrical roles and asymmetrical controllers can increase access diversity. M Dalgleish G| A| M| E Games as Art, Media, Entertainment 1 (7), 2018 | 3 | 2018 |
| The modular synthesizer divided: The keyboard and its discontents M Dalgleish Canadian Electroacoustic Community (CEC), 2016 | 2 | 2016 |
| BLURRING THE LINES: AN INTEGRATED COMPOSITIONAL MODEL FOR DIGITAL MUSICAL INSTRUMENT DESIGN M Dalgleish Proceedings of the 9th Conference on Interdisciplinary Musicology. CIM14 …, 2014 | 2 | 2014 |
| The Haptic iPod: passive learning of multi-limb rhythm skills A Bouwer, M Dalgleish, S Holland Workshop ‘When Words Fail: What Can Music Interaction Tell Us About HCI, 2011 | 2 | 2011 |
| Postrum II: a posture aid for trumpet players M Dalgleish, S Spencer, C Payne Linux Audio Conference, 2015 | 1 | 2015 |
| Sound objects: exploring embedded computing for procedural audio in theatre S Whitfield, M Dalgleish Routledge, 2021 | | 2021 |
| Sound objects: Exploring procedural audio for theatre M Dalgleish, S Whitfield Innovation in Music, 188-205, 2021 | | 2021 |
| Solus: An Online Audiovisual Installation (NIME2020 installation proposal) M Dalgleish Birmingham City University, 2020 | | 2020 |
| Towards Computational Thinking in Schools M Dalgleish, C Payne Innovation in Music: Performance, Production, Technology, and Business, 2019 | | 2019 |
| MAMIC goes live: a music programming system for non-specialist delivery M Dalgleish, C Payne CRC Press, 2019 | | 2019 |
| Seeing with one's own ears: soundtrack as interface for theatre M Dalgleish, N Reading University of Aveiro, 2019 | | 2019 |
| Demonstrating the SIDSYNTH: an 8-bit synthesizer combining obsolete and open hardware R Hassell, M Dalgleish Coventry University, 2018 | | 2018 |
| Embracing openness: music technology pedagogy and curricula after the decline of the studio M Dalgleish, M Bellingham Coventry University, 2018 | | 2018 |
| There are no universal interfaces M DALGLEISH DIGITAL GAMES FOR SPECIAL NEEDS; SPECIAL NEEDS FOR DIGITAL GAMES, 11, 2018 | | 2018 |
Simon HollandCentre for Research in Computing,The Open Universityopen.ac.uk üzerinde doğrulanmış e-posta adresine sahip
