Feeling the beat where it counts: fostering multi-limb rhythm skills with the haptic drum kit S Holland, AJ Bouwer, M Dalgelish, TM Hurtig Proceedings of the fourth international conference on Tangible, embedded …, 2010 | 79 | 2010 |
Whole body interaction in abstract domains S Holland, K Wilkie, A Bouwer, M Dalgleish, P Mulholland Whole body interaction, 19-34, 2011 | 30 | 2011 |
The Haptic Bracelets: learning multi-limb rhythm skills from haptic stimuli while reading A Bouwer, S Holland, M Dalgleish Music and human-computer interaction, 101-122, 2013 | 27 | 2013 |
Song walker harmony space: embodied interaction design for complex musical skills A Bouwer, S Holland, M Dalgleish Music and human-computer interaction, 207-221, 2013 | 13 | 2013 |
Postrum: developing good posture in trumpet players through directional haptic feedback M Dalgleish, S Spencer Society for Interdisciplinary Musicology (SIM), 2014 | 8 | 2014 |
Technology inspired design for pervasive healthcare J van der Linden, Y Rogers, C Taylor, M Dalgleish 2011 5th International Conference on Pervasive Computing Technologies for …, 2011 | 7 | 2011 |
“There are no universal interfaces: how asymmetrical roles and asymmetrical controllers can increase access diversity. M Dalgleish G| A| M| E Games as Art, Media, Entertainment 1 (7), 2018 | 6 | 2018 |
Reconsidering process: bringing thoughtfulness to the design of digital musical instruments for disabled users M Dalgleish International Conference on Live Interfaces (ICLI), 2014 | 5 | 2014 |
The modular synthesizer divided: The keyboard and its discontents M Dalgleish Canadian Electroacoustic Community (CEC), 2016 | 3 | 2016 |
BLURRING THE LINES: AN INTEGRATED COMPOSITIONAL MODEL FOR DIGITAL MUSICAL INSTRUMENT DESIGN M Dalgleish Proceedings of the 9th Conference on Interdisciplinary Musicology. CIM14 …, 2014 | 2 | 2014 |
The haptic iPod: passive learning of multi-limb rhythm skills A Bouwer, M Dalgleish, S Holland Workshop ‘When Words Fail: What Can Music Interaction Tell Us About HCI, 2011 | 2 | 2011 |
Soundtrack as Auditory Interface: Exploring an Alternative to Audio Description for Theatre M Dalgleish, N Reading Institute of Acoustics, 2017 | 1 | 2017 |
Postrum II: a posture aid for trumpet players M Dalgleish, S Spencer, C Payne Linux Audio Conference, 2015 | 1 | 2015 |
Who can play? Rethinking video game controllers and accessibility M Dalgleish Palgrave Macmillan, 2022 | | 2022 |
Layering the senses: exploring audio primacy in multisensory cinema M Dalgleish Institute of Acoustics, 2021 | | 2021 |
Sound objects: exploring embedded computing for procedural audio in theatre S Whitfield, M Dalgleish Routledge, 2021 | | 2021 |
Exploring procedural audio for theatre M Dalgleish, S Whitfield Innovation in Music: Future Opportunities, 2021 | | 2021 |
Solus: An Online Audiovisual Installation (NIME2020 installation proposal) M Dalgleish Birmingham City University, 2020 | | 2020 |
Sound objects: Towards procedural audio for and as theatre S Whitfield, M Dalgleish Innovation in Music Conference 2019/University of West London, 2019 | | 2019 |
Towards Computational Thinking in Schools M Dalgleish, C Payne Innovation in Music: Performance, Production, Technology, and Business, 2019 | | 2019 |