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Cinla Seker
Cinla Seker
associate prof of interdisciplinary art, Dokuz Eylul University
Verified email at deu.edu.tr - Homepage
Title
Cited by
Cited by
Year
New Classics: The Analysis of Classical Music Album Covers’ Digital Age Characteristics
C Seker
European Scientific Journal, 163-174, 2017
62017
The Formal and Contextual Analysis of Soldier Painters’ Artworks in the Westernization Era of Turkish Painting during Ottoman Period in Asia Minor
C Seker
International Journal 4 (1), 29-59, 2016
32016
Visual Coverscapes: Why Pink Floyd album covers don't have types
C Seker, C Hart
The Routledge Handbook of Pink Floyd, 172-190, 2022
2022
Standing on A Beach/Staring at The Sea: How the Sleeve Art Made for The Singles of The Band the Cure
C Seker
CONGRESS BOOK SERIES, 45, 2019
2019
Full or Empty Mode: The Organization of the Full or Empty Spaces on the Covers of the Singles of Depeche Mode between the Years of 1981 and 1998
C Seker
2017
Achieving Unity Through Contrasts: Covering Music for the Masses by Depeche Mode
C Seker
China-USA Business Review, 484, 2017
2017
Simple but Dominant: How to Re-shine Depeche Mode on Album Covers After 80’s
C Sekera
Sociology 5 (12), 920-930, 2015
2015
The Formal and Contextual Relation of Typographic and Visual Elements of PJ Harvey Album Covers
C Seker
US-China L. Rev. 12, 750, 2015
2015
Pre-Carolingian Typography on the Church Murals of Cappadocia
C Seker
TYPOMORPHOSIS: FROM AN OX HEAD TO THE LATIN A AND ITS DIGITAL AGE VARIATIONS
Ç Þeker
International Journal of Social Sciences and Interdisciplinary Studies 1 (1 …, 0
ATINER's Conference Paper Series MDT2016-1936
C Seker
TYPOMORPHOSIS: FROM AN OX HEAD TO THE LATIN A AND ITS DIGITAL AGE VARIATIONS
C SEKER
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Articles 1–12