| Mind Presentation in Ian McEwan's Fiction: Consciousness and the Presentation of Character in Amsterdam, Atonement, and On Chesil Beach K Nayebpour | 15 | 2017 |
| Narrativity in The Thousand and One Nights K Nayebpour Advances in Language and Literary Studies 8 (4), 85-90, 2017 | 8 | 2017 |
| The Uses of Storytelling in Khaled Hosseini’s The Kite Runner K Nayebpour Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi 35 (1), 2018 | 6 | 2018 |
| Representation of Trauma as a Political Apparatus in Julian Barnes's the Noise of Time K Nayebpour IUP Journal of English Studies 12 (4), 2017 | 6 | 2017 |
| The Ambivalent Nature of Colonial Mimicry in Hanif Kureishi’s “My Son the Fanatic” K Nayebpour ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 31 (1), 55-60, 2018 | 5 | 2018 |
| Fictional Minds and Interpersonal Relationships in George Eliot’s The Mill on the Floss K Nayebpour Cambridge Scholars Publishing, 2018 | 2 | 2018 |
| The training impact of experience in Jane Austen's Emma K Nayebpour Brno studies in English 43 (2), [127]-149, 2017 | 2 | 2017 |
| Intramental Fictional Minds in Ian McEwan’s Amsterdam and On Chesil Beach K Nayebpour Forum for World Literature Studies (世界文学研究论坛) 6 (4), 618-635, 2014 | 2 | 2014 |
| Picture of Unreliable Narrator On “Maybe I’m lost” Narration K Nayebpour, N Varqaeian Adabiat Parsi Moaser N 4, 95-111, 2013 | 2 | 2013 |
| Reconstructed Memory of Love in Julian Barnes’s The Only Story K Nayebpour, N Varghaiyan Hacettepe University Journal of Faculty of Letters 38 (2), 336-347, 2021 | 1 | 2021 |
| What it’s like to be Miss Brill? K Nayebpour 6th INTERNATIONAL KTUDELL CONFERENCE ON LANGUAGE LITERATURE AND CULTURE, 110-120, 2017 | 1 | 2017 |
| Representation of a Disrupted Mind and Anguished Self in Samuel Beckett’s The Unnamable K Nayebpour Mediterranean Journal of Social Sciences 6 (4), S2, 2015 | 1 | 2015 |
| The Journey into Adulthood: Study of Military Service as a Rite of Passage in Ahmad Mahmoud’s The Neighbors K Nayebpour Persian Literary Studies Journal 2 (2.3), 39-54, 2014 | 1 | 2014 |
| The Anti-Mimetic Function of Paratext in Wilkie Collins’s Framed Narrative After Dark K Nayebpour, N Varghaiyan Cankaya University Journal of Humanities and Social Sciences 17 (2), 287-296, 2023 | | 2023 |
| The Ambivalent Force of Memory and Perspective-taking in Ian McEwan’s Lessons N VARGHAIYAN, K NAYEBPOUR 9th International KTUDELL Conference: Language, Literature and Translation …, 2023 | | 2023 |
| Storytelling as an Act of Remembering: Episodic Memory in Post-Millennial Irish Narrative N Varghaiyan, K Nayebpour ibidem, 2023 | | 2023 |
| Storytelling as an Act of Remembering: Episodic Memory in Post-Millennial Irish Narrative N Varghaiyan, K Nayebpour https://www.ibidem.eu/en/storytelling-as-an-act-of-remembering-episodic …, 2023 | | 2023 |
| The Tragedy of an Unsympathetic Mind in George Eliot’s Adam Bede K Nayebpour Cognition, Emotion and Consciousness in Modernist Storyworlds: The Feel of …, 2022 | | 2022 |
| The Dream of Nature Awareness in Mary Oliver's K Nayebpour, N Varghaiyan NATURE V/S CULTURE, 127-142, 2022 | | 2022 |
| بررسی نقش همدلی و تاثیر آن بر خواننده در رمان بعد از پایان فریبا وفی نایب پور, کرم, ورقائیان, نغمه زبان و ادب فارسی (نشریه سابق دانشکده ادبیات دانشگاه تبریز) 74 (244), 345-369, 2022 | | 2022 |
Naghmeh VarghaiyanAgri Ibrahim Cecen University, TurkeyVerified email at agri.edu.tr
