| Türkiye’de Politik Tiyatronun Gelişimi Ö Özmen Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi 55 (1), 415-430, 2015 | 23 | 2015 |
| Re-writing Shakespeare in the twentieth century: Edward Bonds Lear, Arnold Weskers The Merchant and Howard Barkers Gertrude-the Cry in socio-historical context Ö Özmen Sosyal Bilimler Enstitüsü, 2018 | 5 | 2018 |
| Nostalgic (Re)Visions of Englishness in Merchant-Ivory's Adaptation of Kazuo Ishiguro's The Remains of the Day G Göçmen, Ö Özmen Akdoğan Journal of Language, Literature and Culture, 1-15, 2021 | 3 | 2021 |
| Epik Tiyatro'nun Öncüsü: Bertolt Brecht ve Cesaret Ana Ö Özmen Tiyatro Dünyası, 2012 | 3 | 2012 |
| Political Contextuality of Martin McDonagh’s Hangmen: An Intervention in the Debate over Capital Punishment in Britain Ö Özmen Gaziantep Üniversitesi Sosyal Bilimler Dergisi 18, 92-101, 2019 | 2 | 2019 |
| Turning over Feudalism with Communism and the Process of Remaking Society in David Hare's Fanshen Ö Özmen Interactions 25 (1-2), 415-431, 2016 | 2 | 2016 |
| A Foucauldian Reading of Timberlake Wertenbaker’s Our Country’s Good in a Socio-Political Context ÖÖ AKDOĞAN Gaziantep University Journal of Social Sciences 21 (1), 191-203, 2022 | 1 | 2022 |
| Politics of Harold Pinter's Dystopian Drama: One for the Road and Party Time. Ö ÖZMEN AKDOĞAN Journal of Faculty of Letters/Edebiyat Fakultesi Dergisi 37 (2), 2020 | 1 | 2020 |
| Caryl Churchill’in Escaped Alone (Yalnız Ben Kaçıp Kurtuldum) Oyunundaki Apokaliptik Senaryoların Kapitalosen Kavramı Işığında İncelenmesi O Ozmen Akdogan Edebiyat ve Kültürde Korkunun 8 Hâli, 137-165, 2023 | | 2023 |
| Subverting Hamlet through Re-writing: Sexual and Gender Politics of the Mother in Howard Barker’s Gertrude-The Cry ÖÖ Akdoğan Cankaya University Journal of Humanities and Social Sciences 16 (1), 83-98, 2022 | | 2022 |
| A criticism of the british left in trevor griffiths’s the party in light of’68 paris student riots. Litera, 32 (2), 587-600 O Ozmen Akdogan | | 2022 |
| A criticism of the british left in trevor griffiths’s the party in light of’68 paris student riots ÖÖ AKDOĞAN Litera: Journal of Language, Literature and Culture Studies 32 (2), 587-600, 2022 | | 2022 |
| Animal Studies in Contemporary British Drama: Stef Smith’s Non-Human and Human Animals C Tan, Ö Özmen Akdoğan International Journal of Human Studies, 2021 | | 2021 |
| Surveying the Afterlives of Shakespeare's Poetry in the Arden Shakespeare's On Shakespeare's Sonnets. Ö ÖZMEN AKDOĞAN Journal of Faculty of Letters/Edebiyat Fakultesi Dergisi 38 (2), 2021 | | 2021 |
| " East West, Home's Best": Feminist Politics of Sue Townsend in Bazaar and Rummage. Ö Özmen-Akdoğan Kadin/Woman 2000 22 (2), 2021 | | 2021 |
| Repurposing Shakespeare’s Plays in Twenty-First Century Adaptations O Ozmen Akdogan Translating Renaissance Experience, 143-165, 2021 | | 2021 |
| “East West, Home’s Best”: Feminist Politics of Sue Townsend in Bazaar and Rummage ÖÖ Akdoğan Kadın/Woman 2000, Journal for Women's Studies 22 (2), 19-33, 2021 | | 2021 |
| Nostalgic (Re) Visions of Englishness in Merchant Ivory’s Adaptation of Kazuo Ishiguro’s The Remains of the Day Ö Özmen Akdoğan, G Göçmen Journal of Language, Literature and Culture 68 (1), 49-63, 2021 | | 2021 |
| Politics of Harold Pinter’s Dystopian Drama: One for the Road and Party Time Ö ÖZMEN Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi 37 (2), 330-340, 2020 | | 2020 |
| Bertolt Brecht'in Epik Tiyatrosunda Gestus Kullanımının İşlevi Ö Özmen Edebiyatta Jest ve Mimik 1, 315-325, 2020 | | 2020 |
