| Elif Şafak's The Saint of Incipient Insanities as an International Novel E Öztabak-Avcı ARIEL: A Review of International English Literature 38, 83-99, 2007 | 10 | 2007 |
| ‘You Never Know Who You're Addressing': A Study of the Inscribed ‘You'in The Remains of the Day E Öztabak-Avcı Kazuo Ishiguro in a Global Context, 49-58, 2016 | 7 | 2016 |
| "Playing Bad for White Ears": A Study of the Narratee in Andrea Levy's The Long Song E Öztabak-Avcı Journal of Narrative Theory 47 (1), 118-143, 2017 | 6 | 2017 |
| Cleaning up the “Dirt”: A Study of Maggie Gee’s My Cleaner E Öztabak-Avcı Journal of Postcolonial Writing 50 (4), 478-491, 2014 | 6 | 2014 |
| "An Ideological Servant?" A Study of the Servant Figure in Kazuo Ishiguro's The Remains of the Day E Öztabak-Avcı Interactions: Ege Journal of English and American Studies 22 (1-2), 93-103, 2013 | 5 | 2013 |
| A Rhetorical Narratological Approach to the Treatment of Crime and Criminals in Great Expectations E Nazli, E Öztabak-Avcı DTCF Dergisi 58 (1), 571-594, 2018 | 2 | 2018 |
| Neocolonialism E Öztabak-Avcı Africa and the Americas: Culture, Politics and History, 2008 | 2* | 2008 |
| Shifting "Limits of Tolerance and Belonging" in Andrea Levy's Fiction: An Encounter with the Refugee in "Loose Change" E Öztabak-Avcı Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi 16 (4), 349-366, 2018 | 1* | 2018 |
| "White” Masters and “Dark” Servants in A.S. Byatt’s “Morpho Eugenia" E Öztabak-Avcı Journal of Faculty of Letters/Hacettepe Edebiyat Fakultesi Dergisi 28 (2), 2011 | 1* | 2011 |
| Andrea Levy's "World-Themed" Fiction: Curating the World Wars in Small Island and "Uriah's War" E Öztabak-Avcı ariel: A Review of International English Literature 53 (1), 139-165, 2022 | | 2022 |
| Julian Barnes'ın Zamanın Gürültüsü Adlı Romanında Duygulanımsal Bir Gerçeklik Olarak Korku E Öztabak Avcı Korku Sempozyumu, Hacettepe University, Ankara, Turkey, 2019 | | 2019 |
| Chapter One: Entanglement of the Domestic and the Global: A View of Globalization from Below in Desai's The Inheritance of Loss E Oztabak-Avci Mapping Cultural Identities and Intersections: Imagological Readings, 2019 | | 2019 |
| Writing Rhys: Caryl Phillips’s A View of the Empire at Sunset E Öztabak Avcı 13th International IDEA Conference: Studies in English, Gaziantep University …, 2019 | | 2019 |
| "Surprised and Dazzled with the Beauty of the Sultan's Capital": Depoliticization and Dehistoricization of Culture in Demetra Vaka-Brown's Haremlik: Some Pages from the Lives … E Öztabak-Avcı Kare Dergi: Karşılaştırmalı Edebiyat Dergisi 2 (1), 18-28, 2017 | | 2017 |
| Sentimental Discipline: A Narratological Analysis of Susan Warner's The Wide, Wide World E Öztabak-Avcı DTCF Dergisi 57 (2), 822-837, 2017 | | 2017 |
| B/Orders of the Eye: Colonial Voyeurism and Fetishism in Caryl Phillips's Cambridge E Öztabak-Avcı B/Orders Unbound: Marginality, Ethnicity and Identity in Literatures, 2016 | | 2016 |
| Unraveling the Master Narrative of "Englishness": Servants in A.S. Byatt's "Morpho Eugenia" E Öztabak-Avcı BAKEA: Ideology in Western Literature, 2011 | | 2011 |
| The Rhetoric of Transnational Flows: People, National Identities and Their Composition: Am I the Only Foreigner in Class? E Öztabak Avcı Conference on College Composition and Communication, Louisville, KY, 2010 | | 2010 |
| Unpublished PhD Thesis: Dirty Hands: The Servant as a Political Figure in Contemporary Fiction E Öztabak-Avci THE UNIVERSITY OF WISCONSIN-MILWAUKEE, 2010 | | 2010 |
| Patriarchies and Artistic Creativity: An Analysis of AS Byatt’s "Art Work" E Öztabak Avcı Women and Creativity Conference, Marquette University, Milwaukee, WI, 2007 | | 2007 |
