| American smart cinema C Perkins Edinburgh University Press, 2013 | 85 | 2013 |
| Independent women: from film to television C Perkins, M Schreiber Feminist Media Studies 19 (7), 919-927, 2019 | 39 | 2019 |
| Transnational television remakes C Perkins, C Verevis Continuum 29 (5), 677-683, 2015 | 33 | 2015 |
| Dancing on My Own: Girls and Television of the Body C Perkins Critical Studies in Television 9 (3), 33-43, 2014 | 26 | 2014 |
| Beyond Indiewood: the everyday ethics of Nicole Holofcener C Perkins Camera Obscura: Feminism, Culture, and Media Studies 29 (1), 137-159, 2014 | 20 | 2014 |
| Remaking and the Film Trilogy: Whit Stillman's Authorial Triptych C Perkins The Velvet Light Trap 61 (1), 14-25, 2008 | 19 | 2008 |
| Seeing into screens: Eye tracking and the moving image T Dwyer, C Perkins, S Redmond, J Sita Bloomsbury Publishing USA, 2018 | 17 | 2018 |
| B is for bad cinema: Aesthetics, politics, and cultural value C Perkins, C Verevis SUNY Press, 2014 | 16 | 2014 |
| Film trilogies: New critical approaches C Perkins, C Verevis Springer, 2012 | 15 | 2012 |
| Indie reframed: women's filmmaking and contemporary American independent cinema L Badley Edinburgh University Press, 2017 | 14 | 2017 |
| Seeing animated worlds: Eye tracking and the spectator's experience of narrative C Batty, A Dyer, C Perkins, J Sita Making Sense of Cinema: Empirical Studies into Film Spectators and …, 2016 | 13 | 2016 |
| My effortless brilliance: women’s mumblecore C Perkins Indie Reframed: Women’s Filmmaking and Contemporary American Independent …, 2016 | 11 | 2016 |
| Ghost Girls: Ghostbusters, Popular Feminism and the Gender-Swap Reboot C Perkins Film Reboots, 157-170, 2020 | 10 | 2020 |
| Translating the television ‘treatment’genre: Be’Tipul and In Treatment C Perkins Continuum 29 (5), 781-794, 2015 | 10 | 2015 |
| Introduction: Three Times C Perkins, C Verevis Film trilogies: New critical approaches, 1-31, 2012 | 9 | 2012 |
| Invisible rhythms: Tracking aesthetic perception in films and the visual arts P Atkinson Seeing into Screens–Eye Tracking and the Moving Image, 28-43, 2018 | 8 | 2018 |
| This Time It’s Personal: Touch: Sensuous Theory and Multisensory Media by Laura U. Marks C Perkins Senses of Cinema 33, 2004 | 8 | 2004 |
| Passing time: eye tracking slow cinema T Dwyer, C Perkins Seeing into Screens: Eye Tracking and the Moving Image, 103-125, 2018 | 7 | 2018 |
| Life During Wartime: Emotionalism, Capitalist Realism, and Middle‐Class Indie Identity C Perkins A Companion to American Indie Film, 347-367, 2016 | 7 | 2016 |
| The Scre4m Trilogy C Perkins Film Trilogies: New Critical Approaches, 88-108, 2012 | 7 | 2012 |
Constantine VerevisAssoc. Professor, Monash UniversityVerified email at monash.edu
