| Historical Film: A Critical Introduction J Stubbs Bloomsbury Academic, 2013 | 153 | 2013 |
| The Eady Levy: a runaway bribe? Hollywood production and British subsidy in the early 1960s J Stubbs Journal of British cinema and television 6 (1), 1-20, 2009 | 37 | 2009 |
| Newspapers, Nationalism And Empire: The Turkish Cypriot press in the British colonial period and its aftermath J Stubbs, B Taşeli Media History 20 (3), 284-301, 2014 | 26 | 2014 |
| Hollywood and the Invention of England: Projecting the English Past in American Cinema, 1930-2017 J Stubbs Bloomsbury Academic, 2019 | 14 | 2019 |
| ‘Blocked’ Currency, Runaway Production in Britain and Captain Horatio Hornblower (1951) J Stubbs Historical Journal of Film, Radio and Television 28 (3), 335-351, 2008 | 13 | 2008 |
| ‘Did you ever notice this dot in the Mediterranean?’ Colonial Cyprus in the post-war British documentary J Stubbs Historical Journal of Film, Radio and Television 35 (2), 240-256, 2015 | 7 | 2015 |
| Hollywood's Middle Ages: The Development of Knights of the Round Table and Ivanhoe, 1935–53 J Stubbs Exemplaria: Medieval, Early Modern, Theory 21 (4), 398-417, 2009 | 4 | 2009 |
| Unproductive co-production: European integration, the British film industry and the Franco-British co-production agreement of 1965 J Stubbs Journal of British Cinema and Television 18 (2), 152-175, 2021 | 3 | 2021 |
| 'Steeped in Tradition, Seized By Change':'Swinging London'and the American Reception of Tom Jones (1963). J Stubbs Journal of Popular Culture 47 (2), 2014 | 3 | 2014 |
| Sleeping with the hegemony: British cinema and Hollywood in the 1990s J Stubbs University of British Columbia (MA Thesis), 2002 | 3* | 2002 |
| A Common Market for film: British policy and the unification of European film J Stubbs International Journal of Cultural Policy 28 (1), 46-60, 2022 | 2 | 2022 |
| The Present in the Future: Segregation and Boundaries in the Urban Science Fiction Film M Kiessel, J Stubbs Boundaries and Restricted Places: The Immured Space, 2022 | 2 | 2022 |
| Making Headlines in a State of Emergency: The Case of the Times of Cyprus, 1955–1960 J Stubbs The Journal of Imperial and Commonwealth History 45 (1), 70-92, 2017 | 2 | 2017 |
| Futures past and present: history, architecture and dystopia in Brazil (1985) and the Hunger Games series (2012-15) J Stubbs, M Kiessel New Review of Film and Television Studies, 1-24, 2024 | 1 | 2024 |
| Ripped from the headlines: Contemporary practices in the adaptation of journalism as screen fiction J Stubbs Journalism Studies 24 (12), 1594-1610, 2023 | 1 | 2023 |
| Urban Dystopia on Screen: The City, Architecture and Power in the Contemporary Science Fiction Film M Kiessel, J Stubbs Athens Journal of Architecture 2023 9, 2023 | 1 | 2023 |
| Film follows the flag: Cultural and economic relations between the British film industry and Hollywood J Stubbs Culture Matters: Anglo-American Relations and the Intangibles of ‘Specialness’, 2020 | 1 | 2020 |
| Visualizing Empire: Cyprus and the Colonial Travelogue Film in the 1920s J Stubbs Journal of Balkan and Near Eastern Studies 22 (5), 666-683, 2020 | 1 | 2020 |
| Conflict, Community and the ‘National’ Audience: Remembering Turkish Cypriot Cinemagoing in 1950s Nicosia J Stubbs, B Boğaç Historical Journal of Film, Radio and Television, 1-22, 2020 | 1 | 2020 |
| ‘Always ready to explode into violence!’ Representing the Cyprus Emergency and decolonization in The High Bright Sun (1965) J Stubbs Journal of European Popular Culture 6 (2), 103-116, 2015 | 1 | 2015 |
Marko KiesselArucad-Arkin University of Creative Arts&DesignVerified email at arucad.edu.tr
