John McCormick
John McCormick
Verified email at swin.edu.au
Title
Cited by
Cited by
Year
Teaching a digital performing agent: Artificial neural network and hidden markov model for recognising and performing dance movement
J McCormick, K Vincs, S Nahavandi, D Creighton, S Hutchison
Proceedings of the 2014 International Workshop on Movement and Computing, 70-75, 2014
202014
Touching space: Using motion capture and stereo projection to create a “virtual haptics” of dance
K Vincs, J McCormick
Leonardo 43 (4), 359-366, 2010
152010
Learning to dance with a human.
J McCormick, K Vincs, S Nahavandi, D Creighton
ISEA International, 2013
122013
Muscle activation during traditional laparoscopic surgery compared with robot-assisted laparoscopic surgery: a meta-analysis
J Hislop, O Tirosh, J McCormick, R Nagarajah, C Hensman, M Isaksson
Surgical endoscopy 34 (1), 31-38, 2020
62020
Navigating control and illusion: functional interactivity versus ‘faux-interactivity’in transmedia dance performance
JB Vincent, C Vincent, K Vincs, J McCormick
International Journal of Performance Arts and Digital Media 12 (1), 44-60, 2016
62016
Haptically-enabled dance visualisation framework for deafblind-folded audience and artists
M Hossny, S Nahavandi, M Fielding, J Mullins, S Mohamed, D Creighton, ...
2015 IEEE International Conference on Systems, Man, and Cybernetics, 446-450, 2015
62015
Emergent behaviour: Learning from an artificially intelligent performing software agent
J McCormick, S Hutchinson, K Vincs, JB Vincent
ISEA 2015: Proceedings of the 21st International Symposium on Electronic Art …, 2015
62015
Skin to skin: performing augmented reality
K Vincs, A Bennett, J McCormick, JB Vincent, S Hutchison
Augmented Reality Art, 161-174, 2014
52014
Artworks-spawning-artworks: trans-disciplinary approaches to artistic spin-offs and evolution in the dance and digital context
JB Vincent, C Vincent, K Vincs, S Delahunta, J McCormick
Digital Echoes, 283-299, 2018
32018
META: Notes from a Dancer from Inside a Duet with an AI Agent
S Hutchison, J McCormick, K Vincs
Proceedings of the 21st International Symposium on Electronic Art (ISEA 2015 …, 2015
32015
Splitting Centre: Directing attention in trans-media dance performance
J Vincent, K Vincs, J McCormick
ISEA 2015: Proceedings of the 21st International Symposium on Electronic Art …, 2015
22015
Responding to human full-body gestures embedded in motion data streams.
J McCormick
Deakin University, 2014
22014
Self-reported prevalence of injury and discomfort experienced by surgeons performing traditional and robot-assisted laparoscopic surgery: a meta-analysis demonstrating the …
J Hislop, C Hensman, M Isaksson, O Tirosh, J McCormick
Surgical Endoscopy, 1-13, 2020
12020
Collaborative dance between robot and human
J McCormick, S Hutchison, J Vincent, K Vincs
Workshop on Artistically Skilled Robots as part of 2016 IEEE/RSJ IROS …, 2016
12016
The Magic Flute (Scenographic Visualisations) for Australian International Opera Company
J Vincent, J McCormick, K Vincs
Australian International Opera Company, 2016
12016
Recognition: combining human interaction and a digital performing agent
J McCormick, A Nash, S Hutchison, K Vincs, S Nahavandi, D Creighton
Proceedings of the 2014 Virtual Reality International Conference, 1-5, 2014
12014
The crack up
K Vincs, J McCormick, R Vincs, D Skovli, S Taylor, K Wallace, B Lin, ...
Kim Vincs, 2014
12014
Choreotopography
K Vincs, J McCormick, D Skovli, P Divers, R Vincs
Infinite Space, 2010
12010
Oncheon: Learning to perform motion trails for virtual spaces
ES Kim, K Vincs, J McCormick
Proceedings of EVA London 2020 30, 283-289, 2020
2020
Icebreaker's last voyage becomes digital artwork
J McCormick, A Nash
Australian Antarctic Magazine, 28, 2020
2020
The system can't perform the operation now. Try again later.
Articles 1–20