Gernot Gerger
Gernot Gerger
Webster Vienna University
Verified email at webster.ac.at - Homepage
Title
Cited by
Cited by
Year
How art is appreciated.
H Leder, G Gerger, SG Dressler, A Schabmann
Psychology of Aesthetics, Creativity, and the Arts 6 (1), 2, 2012
1922012
Move me, astonish me… delight my eyes and brain: The Vienna integrated model of top-down and bottom-up processes in art perception (VIMAP) and corresponding affective …
M Pelowski, PS Markey, M Forster, G Gerger, H Leder
Physics of Life Reviews 21, 80-125, 2017
1662017
What makes an art expert? Emotion and evaluation in art appreciation
H Leder, G Gerger, D Brieber, N Schwarz
Cognition and Emotion 28 (6), 1137-1147, 2014
1482014
Context effects on emotional and aesthetic evaluations of artworks and IAPS pictures
G Gerger, H Leder, A Kremer
Acta Psychologica 151, 174-183, 2014
1172014
Priming semantic concepts affects the dynamics of aesthetic appreciation
SJ Faerber, H Leder, G Gerger, CC Carbon
Acta Psychologica 135 (2), 191-200, 2010
762010
Empathy, Einfühlung, and aesthetic experience: the effect of emotion contagion on appreciation of representational and abstract art using fEMG and SCR
G Gernot, M Pelowski, H Leder
Cognitive Processing, 1-19 doi:10.1007/s10339-017-0800-2, 2017
572017
Empathy, Einfühlung, and aesthetic experience: The effect of emotion contagion on appreciation of representational and abstract art using fEMG and SCR.
G Gerger, M Pelowski, H Leder
Cognitive Processing, 2018
532018
The glasses stereotype revisited
H Leder, M Forster, G Gerger
Swiss Journal of Psychology/Schweizerische Zeitschrift für Psychologie/Revue …, 2011
432011
Faces versus patterns: Exploring aesthetic reactions using facial EMG.
G Gerger, H Leder, PPL Tinio, A Schacht
Psychology of Aesthetics, Creativity, and the Arts 5 (3), 241, 2011
402011
Titles change the aesthetic appreciations of paintings
G Gerger, H Leder
Frontiers in Human Neuroscience 9, 464, 2015
372015
Innovation is appreciated when we feel safe: On the situational dependence of the appreciation of innovation
CC Carbon, SJ Faerber, G Gerger, M Forster, H Leder
International Journal of Design 7 (2), 2013
312013
But is it really art? The classification of images as “Art”/“Not Art” and correlation with appraisal and viewer interpersonal differences
M Pelowski, G Gerger, Y Chetouani, PS Markey, H Leder
Frontiers in psychology 8, 1729, 2017
282017
Capturing aesthetic experiences with installation art: An empirical assessment of emotion, evaluations, and mobile eye tracking in Olafur Eliasson’s “Baroque, Baroque!”
M Pelowski, H Leder, V Mitschke, E Specker, G Gerger, PPL Tinio, ...
Frontiers in Psychology 9, 1255, 2018
212018
It felt fluent but I did not like it: Fluency effects in faces versus patterns
G Gerger, M Forster, H Leder
Quarterly Journal of Experimental Psychology 70 (4), 637-648, 2017
152017
Where does it come from? Developmental aspects of art appreciation
A Schabmann, G Gerger, BM Schmidt, E Wögerer, I Osipov, H Leder
International Journal of Behavioral Development 40 (4), 313-323, 2016
142016
Everything’s relative? Relative differences in processing fluency and the effects on liking
M Forster, G Gerger, H Leder
PloS one 10 (8), e0135944, 2015
132015
Birds of a feather… Generalization of facial structures following massive familiarization
PPL Tinio, G Gerger, H Leder
Acta psychologica 144 (3), 463-471, 2013
122013
When the Others Matter
G Gerger, H Leder, SJ Faerber, CC Carbon
Swiss Journal of Psychology/Schweizerische Zeitschrift für Psychologie/Revue …, 2011
122011
Do you feel like I do? A study of spontaneous and deliberate emotion sharing and understanding between artists and perceivers of installation art.
M Pelowski, E Specker, G Gerger, H Leder, LS Weingarden
Psychology of Aesthetics, Creativity, and the Arts, 2018
72018
Facing the sublime: Physiological correlates of the relationship between fear and the sublime.
YJ Hur, G Gerger, H Leder, IC McManus
Psychology of Aesthetics, Creativity, and the Arts, 2018
42018
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Articles 1–20