| OPHELIA AND GERTRUDE: VICTIMIZED WOMEN IN HAMLET. M Günenç Journal of International Social Research 8 (41), 2015 | 12 | 2015 |
| MARTIN CRIMP’IN ATTEMPTS ON HER LIFE OYUNUNDA (POST-TRUTH) HAKĠKATĠN DEĞERSĠZLEġMESĠ OKUMA/SI M Günenç Avrasya Uluslararası Araştırmalar Dergisi 7 (19), 1-13, 2019 | 5* | 2019 |
| David Hare’in oyunlarında post-truth söylem M Günenç Çizgi Kitapevi, 2020 | 4 | 2020 |
| A Paradigm of Dramatic and Postdramatic Tragedy: Simon Stephens’s Motortown M Günenç Folklor/Edebiyat 25 (99), 635-644, 2019 | 4 | 2019 |
| Tom Stoppard’ın Rosencrantz ve Guildenstern Öldüler ve Travestiler Oyunlarında Postmodern Söylem M Günenç Selçuk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 231-242, 2017 | 4 | 2017 |
| Witnessing Trauma in Simon Stephens’ Motortown M Günenç Selçuk Üniversitesi Edebiyat Fakültesi Dergisi, 129-138, 2018 | 3 | 2018 |
| Reflections of the Surveillance and Oppressive Authority in Hunger Games Trilogy M Günenç Ordu Üniversitesi Sosyal Bilimler Enstitüsü Sosyal Bilimler Araştırmaları …, 2022 | 2 | 2022 |
| Post-Theories in Literary and Cultural Studies ED Adanur, B Ağın, S Aktari-Sevgi, A Alkaç, G Almacıoğlu, N Birlik, ... Rowman & Littlefield, 2022 | 1 | 2022 |
| The Posthuman Turn in Postdramatic Theater AA Güneng Post-Theories in Literary and Cultural Studies, 199, 2022 | 1 | 2022 |
| Political violence and re-victimization in The Ferryman M Günenç Ars Aeterna 13 (1), 80-95, 2021 | 1* | 2021 |
| HAKİKATİN KISA BİR TARİHİ: POST-HAKİKAT BİR DÜNYA İÇİN AVUNMALAR (JULIAN BAGGINI) M GÜNENÇ Kültür Araştırmaları Dergisi 1 (3), 427-432, 2019 | 1 | 2019 |
| Yok Olan Yazar, Var olan Seyirci: Tim Crouch The Author M GÜNENÇ Yedi Dergisi (Dokuz Eylül Güzel Sanatlar Fakültesi Dergisi), 45-52, 2018 | 1 | 2018 |
| Postdramatic Theatrical Signs in Contemporary British Playwrights: Postdramatic Signs and Aspects in the Plays of Martin Crimp, Simon Stephens, Sarah Kane and Mark Ravenhill M Günenç LAP Lambert Academic Publishing, 2017 | 1 | 2017 |
| The Crisis of Masculinity: Jez Butterworth’s Mojo AG Biçer, M Günenç Romanian Journal of English Studies 14 (1), 22-30, 2017 | 1 | 2017 |
| Postdramatic Aspects of Mark Ravenhill’s Faust is Dead and Pool (No Water) ⃰ M Günenç, AG Biçer Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi 14 (3), 2016 | 1 | 2016 |
| The Paradox of Contemporary Life and War in Mark Ravenhill’s Shoot/Get Treasure/Repeat M Günenç, AG Biçer International Journal of Humanities and Social Science 6 (3), 36-43, 2016 | 1 | 2016 |
| BETWEEN COMEDY AND CRUELTY: TIM CROUCH'S I, MALVOLIO. AG Biçer, M Günenç Journal of International Social Research 8 (41), 2015 | 1 | 2015 |
| MİKE BARTLETT'İN THE 47TH OYUNUNDA POST-TRUTH BİR SHAKESPEARE OKUMASI: KAZANMAK YA DA KAZANMAMAK M GÜNENÇ Kafkas Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 485-498, 2023 | | 2023 |
| Edward Bond’s Dialectical Theatre from the Perspective of a Dialectical Understanding of Utopia and Dystopia M Günenç Cankaya University Journal of Humanities and Social Sciences 17 (1), 30-42, 2023 | | 2023 |
| In Interview: Key Features of Contemporary British Drama A Sierz, M Günenç New Theatre Quarterly 39 (1), 61-68, 2023 | | 2023 |
