| Bending the Structure: Jacques Lacan Along the Axis of Structuralism and Poststructuralism M Günday, E Kaçar Felsefe Arkivi, 99-112, 2022 | 3 | 2022 |
| The Burial of Ambivalence in Edgar Allan Poe’s The Cask of Amontillado M GÜNDAY, N Birlik Litera: Journal of Language, Literature and Culture Studies 32 (1), 229-248, 2022 | 1 | 2022 |
| A slight or a stinging ache?: The Freudian uncanny in Harold Pinter's a Slight Ache M Günday | 1 | 2016 |
| Reading Keats’s Poetry: Alternative Subject Positions and Subject-Object Relations M Günday Taylor & Francis, 2024 | | 2024 |
| Blossoming Hope in Eco-dystopian times: Deniz Gezgin’s Eyes Wings Flowers Tails M Günday Arcadiana-Easlce- Literature, Culture, and Environment,https://arcadiana …, 2024 | | 2024 |
| “Capitalizing on Scarce Oxygen Levels and Decapitating the Lower Social Classes: Striving to Breathe Free in the Capitalocene of Sarah Crossan’s Eco-Dystopic Fiction Breathe” M Günday İstanbul Topkapı University, Capitalism and Literature Conference, 2024 | | 2024 |
| “Becoming-Insect by the rhizo-musicology of Insects in Keats’s ‘On the Grasshopper and the Cricket”’ M Günday ‘Imagining Queer Ecologies’ BSLS Winter Symposium 2023, Co-hosted by the …, 2023 | | 2023 |
| Antroposenden Yokyere Yolculuk: Deniz Gezgin’in YerKuşAğı Romanında Bir VarOluş Çabası Olarak (Yok) Oluş M Günday Kapadokya Üniversitesi, 2. Ulusal Çevreci Beşeri Bilimler Konferansı, 2023 | | 2023 |
| The Time Regulation Institute: The transition from the Muvakkithane to the Institute N Birlik, E Kaçar, M Günday Critique: Studies in Contemporary Fiction 64 (3), 491-503, 2023 | | 2023 |
| Perversity, Art, and Suicide as Forms of Performing Power: Staging a Drama of Resistance to Female Oppression with Annabel's Eccentricities in Angela Carter's Love M Günday Purdue University, “Power, Performance, and Play" Virtual Symposium, Purdue …, 2023 | | 2023 |
| Alternative Subject Positions and Subject-Object Relations in Keats's Poetry M Günday Middle East Technical University, 2022 | | 2022 |
| Contingent Subjectivities of the Posthuman Women of London in Zadie Smith’s Swing Time N Birlik, E Kaçar, M Günday | | 2021 |
| Putting “New Wine in Old Bottles”: Subversion of the Symbolic N Birlik, M Günday Interlitteraria 26 (1), 281-294, 2021 | | 2021 |
| GARDEN AS A POST-ANTHROPOCENTRIC SPONTANEITY IN AUDEN’S “THEIR LONELY BETTERS:” AN ECOPSYCHOLOGICAL READING N Birlik, M Günday Synergy I: Marginalisation, Discrimination, Isolation and Existence in …, 2021 | | 2021 |
| Against the Aphanisis of the Subject: Rewriting the Myth of Black Woman in Grace Nichols’s The Fat Black Woman’s Poems M Günday, N Birlik Forum for World Literature Studies, 553-567, 2020 | | 2020 |
| Öğretmen Adaylarının Masallardaki İkili Zıtlıkların Kültürü Kodlayıcı Özellikleri Hakkındaki Farkındalıkları Üzerine Bir Çalışma. N Birlik, M Günday, Ö Erdem, G Sert | | 2019 |
| A Lacanian Interpretation of Garden as an Eco/Heterotopia in Auden’s “Their Lonely Betters” N Birlik, M Günday | | 2018 |
| Book Review- "Psikanaliz ve Hikaye Anlatılıcığı" M Günday Düşünbil Dergisi 67 (12), 37-40, 2018 | | 2018 |
| Absürt tiyatroda biçem: Beckett'in Godot'yu beklerken, Pinter'ın Doğum Günü Partisi, ve Ionesco'nun Ders adlı oyunlarında biçem M Günday Ankara Üniversitesi, Sosyal Bilimler Enstitüsü, 2014 | | 2014 |
